Described by Spin Magazine as “An apocalyptic, supersonic general of the banjo…” Brandon Seabrook has made a name for himself in the New York avant-garde music scene as an explosive guitar and banjo performer, relentlessly committed to immediacy and precision.
Seabrook honed his guitar skills at the New England Conservatory in Boston. He has since performed extensively in North and South America, Mexico and Europe, as a solo artist, bandleader and collaborator. He has been summoned by the likes of Anthony Braxton, Elliot Sharp and Joey Arias for his unpredictably spiked approach to improvisation and impeccable caterwauling. He has been profiled in the New York Times, Wall Street Journal, Magnet Magazine, Fretboard Journal, NPR and The Wire.
Seabrook Power Plant, the nuclear trio donned “a manic clusterfuck of merciless banjo torture” by the Village Voice, is Brandon’s brainchild, blending the brutal energy of punk-rock with the intricate execution of through-composed avant jazz. The band has released two albums to much critical acclaim. Time Out New York praised the band’s eponymous debut as “not only one of the most baffling experimental releases of the year... also one of the best.”
Brandon is an accomplished solo artist, named Best Guitarist in New York City by the Village Voice 2012. In 2014, New Atlantis Records released his first solo album titled Sylphid Vitalizers. Noisey called the album a “dissonant guitar army…(with) mind-blowing prog-rock complexities – all at mind-numbing breakneck speed.”
In June 2017 Brandon released his latest album "Die Trommel Fatale". This work is a poly-rhythmic exploration of the dark side of the drum, layering cello, bass, electronics, voice and guitar against dichotomous drummers. The NY Times commented on the album" it passes you through a gantlet of anxiety promising you little more than cataclysm at the other end". In October of 2017 Brandon released his second album of the year, the debut from his trio "Needle Driver" featuring Allison Miller on drums and Johnny DeBlase on bass.